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![SignqlToNoise_Notation, LAb[au]](https://static.wixstatic.com/media/fb1d51_de010805d11f45f68be2c9fc64771063~mv2.jpg/v1/fit/w_2999,h_1357,q_90/fb1d51_de010805d11f45f68be2c9fc64771063~mv2.webp)
![s-nNotation, LAb[au]](https://static.wixstatic.com/media/fb1d51_4a55a6228ed14bf68bd1cab1aaf47cfd~mv2.jpg/v1/fit/w_2470,h_2015,q_90/fb1d51_4a55a6228ed14bf68bd1cab1aaf47cfd~mv2.webp)
format
diptych 2x 80x120cm
square: 60x60cm, 120x120cm
history
2014 ___ writing, drawing, painting - DAM Gallery, Berlin
2015 ___ rouge, vert, bleu - blanc - Centre des arts, Enghien-les-Bains
2016 ___ calculations, permutations,... ,The Major Gallery, London
2016 ___ Langage Codé, La Patinoire, Brussels
2020 - 21 YES: NO, PERHAPS, Mario Mauroner Contemporary, Vienna
2024 ___ painting, writing, calculating... Dan Galeria, Sao Paulo
abstract
The fragments of letters form a concrete poetry, composed according to the moment they were spat out by the eponymous installation, it's machinery. They trace the tiny accidents and create their own reading, considering this notation as a visual object of failure, independent of a primary, literal meaning.
![SignalToNoise_Notation, LAb[au]](https://static.wixstatic.com/media/fb1d51_ad0b0d4c3fc44dbb90e001fbeb0ad76d~mv2.jpg/v1/fit/w_2440,h_1990,q_90/fb1d51_ad0b0d4c3fc44dbb90e001fbeb0ad76d~mv2.webp)
text
...
collection
2 x 60x120cm diptych, private collection Austria
60x60cm, private collection, Belgium
120x120cm, private collection, Belgium
artworks by the belgian artstudio LAb[au] based on writing rooted in concepual art, concrete poetry and autopoeitic machines
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