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CHROMA series

ongoing since 2019

Manuel Abendroth, Jérôme Decock, Els Vermang
Size: different sizes and shapes
Technique: copper, thermochromic pigments, electronics, generative software

Information

These paintings exist in different formats: 100 x 100cm , 60 x 60cm , 30 x 30cm

... : as a diptych square/circle ... : black/white and blue/white

timeline

2016 ___ Monochrome, Société, Brussels 

2019 ___ If then else, Casino Luxembourg, Luxembourg City 

2020 ___ yes : no, perhaps, Mario Mauroner Contemporary, Vienna 

2021 ___ Ce mouvement qui déplace les lignes, solo, La Patinoire, Brussels 

2021 ___ Espaces intérieurs, Liaigre curated by Gregory Lang, Brussels 

2021 ___ Art Salzburg, booth Mario Mauroner, Salzburg 

2022 ___ Ososphere, parcours artistique, Strasbourg 

2022 ___ The tallest towers...., DAN Galeria, Sao Paolo 

2022 / 23 Zeit Zeichen Zeichen Zeit, Kunstmuseum, Heidenheim

2024 ___ painting, writing, ... Dan Galeria, Sao Paulo

Abstract

These paintings explore the legacy of the monochrome. Here, one and the same painting can be all white and at another moment all black. Between these two states, the viewer see a slow material transformation. This paradox questions the monochrome as an absolute state of pure colour and constantly negotiates its condition by being simultaneously one and its opposite.

text

The painting uses thermochromic pigments whose reactivity changes over time depending on the number of activations. This is intrinsically part of the concept of the painting, which by definition negotiates the state of things with the course of things, organicity and transformation. The viewer is confronted with an 'organic' process of matter that slowly changes due to its nature. It is up to him to decide whether to accept this change over time or to paint over it to reactivate it. Through this decision, the owner actively engages with the state of the artwork and time, formalising the relationship he has with the artwork.

Collection

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painting, LAb[au]'s artistic practice is organised in different sections: painting, writing, calculating, transcoding and in artworks, installations and site-specific projects

LAb[au] is working on the relationship between: architecture & art - language & art, at the crossing of conceptual, concrete, and digital art.

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