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Art Brussels 2024

synopsis

“For a Language to Come”

Galerie La Patinoire Royale Bach presents a group exhibition For a Language to Come centered on the artistic use of systems and languages. The six artists are presented in formal and conceptual dialogue with one another. The seriality of the faces and objects in Ken Ohara’s legendary 1970 photographic series ONE mirrors Thomas Devaux’s condensed representation of the iconic Shopper reflecting our narcissistic desires.

The rituals of technological objects in Alice Anderson's monumental Spiritual Machines, comprised of 41 statuettes, resonate with Lita Alburquerque's photographic drawings, imbued with sacred geometry. A succession of various fires as divine punishments subtly added by Renaud Auguste-Dormeuil to found postcards welcome Wortmischungen, the new language generated by LAb[au] that aggregates in a single but almost infinite series of artworks the essence of all things : colors and words.

artworks

Wortmischungen, the archive


credits

Galerie La Patinoire Royale Bach

25 - 28 April 2024

Booth 6A-08

other works:

Alice Anderson, Lita Alburquerque, Renaud Auguste-Dormeuil, Ken Ohara, Thomas Devaux

art fairs featuring artworks by the Belgian art studio LAb[au] , lab(au) , lab-au , art & language

LAb[au] is working on the relationship between: architecture & art - language & art, at the crossing of conceptual, concrete, and digital art.

official logo of LAb[au]
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